measurements


I went to the dentist today, and as I was lying in the chair with long, sharp objects in my mouth, I heard a woman’s voice say, “Is that Michelle Williams?” I moaned an assent, and she came and towered over me- a hygenist or something, in full dental regalia- and said, “You don’t know me but I’ve heard about you and I’m just so glad about what you’re doing with the arts. This town is lucky to have you.” I moaned an acknowledgement- how could she know that my blood pressure was through the roof with fear, my right arm was asleep, and my right foot cramping something fiecre? (I kid you not. It was the most painful dental experience I’ve had in years, simply due to the cramp.) I suppose the point here, though, is that while it’s awfully nice to have someone say that, it also feels like… I don’t know. Pressure of a strange kind. So many people in this valley have told me how lucky we are to have my father here, and what he’s done for arts and culture, and now people are saying it to me, and it just really makes me think.

It makes me think about intention versus accomplishment. Yes, there are great things in the works, with which I’m involved, but what has been *accomplished*? It also makes me wonder what it would be like to have someone say that to me in a very different setting, i.e. somewhere where I’m affecting the lives of the truly unfortunate, as opposed to the slightly disenfranchised but reasonably well-off.

Don’t get me wrong- it’s wonderful to hear such things, and renews my commitment because it means I truly am affecting positive change. But it is also always a reality check. If you aren’t an artist, you won’t understand how little it means when someone in the audience comments on your work. Of course, you want them to comment, and you worry when they don’t, but whatever they say is largely meaningless. The want for them to comment is more just a verification of existence- that they showed up, that you really did the work you were supposed to do- but you know EXACTLY how good or how mediocre your work was that particular night, or in that particular piece, and what anyone else says about it is prattle. just noise. I know exactly what I am and am not accomplishing, I know how often my phone rings, I know how often I’m left out or looked over, I know what is happening. I know when I fail and succeed on tiny levels every day. I know when I’ve really put the hours in, or when I’ve whittled away an afternoon. I know.

When I bought my car, the pathetic fartknocker who was trying to wheedle more money out of me was also hitting on me while ALSO trying to get my advice on becoming an actor. It was repulsive on every level. He was asking me about my work (far more impressed with bad extra work in Hollywood than off-Broadway in New York) and telling me that he felt he could really “channel the angry stuff” and all sort of sickening clueless crap. At one point, he said, “So what do I do? How do I become an actor?” And I looked at him, controlled the seething, savage hatred I was feeling, and said, simply, “Go to class.” “What?” “Go to class. Learn. Start with a very basic acting class. There’s tons of them around here in the Bay Area. Go to class.” And he laughed out loud and said, “Class? No, I mean, don’t I just show up at auditions, and, like, when they say to act *mad*, I act *mad*, right? I think I’m gonna be really good at that stuff.”

I mean, I hardly even know what to say. Sean could rant about this far better than I, but the fact is, people know exactly nothing about most things, me included, so when a random person tells me I’m doing a good job, I sure as hell better not let that be a metric by which I gauge my success.

In other news, a week from tonight, I’ll be in New York! Huzzah!